--- title: "The exhilarating fun of creating full color 3D printed figures with AI and Mimaki technology" url: https://www.voxelmatters.com/the-exhilarating-fun-of-creating-full-color-3d-printed-figures-with-ai-and-mimaki-technology/ date: 2026-03-20 modified: 2026-04-03 lang: en author: "Davide Sher" description: "As more and more (surprisingly) reliable multimaterial filament extrusion systems enter the market, the idea of full-color 3D printing is making its way into the broader public's imagination and awareness...." categories: - "3D Printing Processes" - "Color 3D Printing" - "Consumer Products" - "Decision Makers" - "Toys & Games" - "VoxelMatters Reviews" tags: - "Featured" image: https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrakes-1-640x427.jpg word_count: 2432 --- # The exhilarating fun of creating full color 3D printed figures with AI and Mimaki technology As more and more (surprisingly) reliable multimaterial filament extrusion systems enter the market, the idea of full-color 3D printing is making its way into the broader public's imagination and awareness. However, while 3D printing in 4, 8, or even 16 colors is a lot of fun and opens up more and more possibilities, it cannot compare to 3D printing in millions of colors with voxel-level control. So, when Akito Yokoseki from [Mimaki Global](https://www.voxelmatters.directory/company/mimaki-global/) offered us the chance to test their material jetting capabilities by 3D printing a series of full-color AI-generated figures, we jumped at it. ![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Tripo-Goldrake-color-3D-scaled.jpg)You can create some incredible color 3D models from 2D images (or from prompts) using Tripo 3D and you can export them as OBJs but not as 3MFs with color information. Which means Orca-based slicers will import them as single color models. We had been playing around with coloring AI-generated 3D models using filament extrusion systems. However, at this time, it is not possible to use OBJ files downloaded from an AI-based 3D model creator (or 2D-to-3D model software) with the Orca slicers used by most multicolor systems, such as those from Bambu Lab, Creality, Elegoo, and the upcoming Snapmaker U1. That's because OBJ only contains surface color information, and it would clearly be infeasible for an FFF system to 3D print the outermost layer of the surface-color-changing filament for every pixel. Bambu Lab addresses this by enabling users to create multicolored items with its MakerLab AI apps. For example, you could create a color 3MF 3D model from a 2D image using the 2D to 3D app (unofficially powered by Tripo, one of the most popular AI-based 3D modeling systems), but the color accuracy decreases significantly, as you are forced to reduce it to the maximum supported of 16 colors (but 4 or 8 is more likely). ![](https://www.voxelmatters.com/wp-content/uploads/2026/03/bambustudio-goldrake-color-scaled.jpg)BambuStudio lets you color 3D models but the process is very manual. In addition, you would have to make multiple manual changes, as the system approximates color shades that only millions of colors can replicate. If you use AI tools such as Tripo 3D to create a color 3D model, for example, from a 2D image (such as a photo, a downloaded image, or one created from prompts), you can only import it into the Orca-based slicers as a single-color 3MF or STL file. With Bambu Lab's slicer, you can color (or modify the colors of) the 3D file in the app, but you have to do it manually, and it's about as difficult as painting it. So, how do you 3D print a full-color OBJ created using AI tools? You need a material jetting 3D printer. A Mimaki system, such as the top-of-the-line 3DUJ-553 (and the, smaller, more affordable 3DUJ-2207), can deliver incredible color quality. ![](https://www.voxelmatters.com/wp-content/uploads/2026/03/mimaki-3DUJ-553.jpg) Weaknesses? At an estimated price of around $200,000, the 3DUJ-553 is not for every pocket, but it's also come down from the early days, and it's not far from the price of the largest professional 2D printing systems. Also, such a powerful state-of-the-art system truly deserves a catchier name. Working with the Mimaki team was fun and incredibly fast. The resulting products were impressive. What follows is a description of the creation process and the 3D printed results. ## AI-generated fun Let me clarify something. I am not a designer, and I have little creative skills. This article is intended to show the possibilities offered by state-of-the-art tools using 3D models created from a combination of existing fictional characters and imaginary ones. When Mimaki approached us with the idea for this article, we had been experimenting with creating 3D-printable color models of Japanese anime robots from the 70s and 80s by Go Nagai, starting with Goldrake (Goldorak). [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Tripo-Goldrake-3D-640x342.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Tripo-Goldrake-3D-scaled.jpg) First we created a 3D model from a 2D image of a 3D model found online. Credits for the original 3D model: Antonio Schiavo (https://www.facebook.com/groups/2014379052179650/user/1604550396) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/bambustudio-goldrake-color-640x369.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/bambustudio-goldrake-color-scaled.jpg) Then we digitally painted it by hand in the BambuStudio app [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-Large-Bambu_IMG_1442-scaled-e1773927502523-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-Large-Bambu_IMG_1442-scaled-e1773927502523.jpg) Then we printed it with the Bambu Lab H2C which minimizes waste (but doesn’t do away with it) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-Large-Bambu_IMG_1438-1-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-Large-Bambu_IMG_1438-1-scaled.jpg) The final result looks great from far away. Less so up close but still impressive. It all started when I saw one of the best videos ever of Goldrake stuck to a drone and flown with a video camera filming it, with the original title song in the background ([see it here;](https://www.facebook.com/reel/1968746400339328) words don't suffice). So I created a version of Goldrake u[sing a 2D image I found on Facebook of a 3D model in the works](https://www.facebook.com/groups/2014379052179650/user/1604550396) (yes, I know it's contorted). However, the 3D model image I found online was in a single color, so I manually colored it in the Bambu Lab app before printing it. I used the Bambu Lab H2C to print it (full review coming soon), which significantly reduced the waste from filament spurge on each color change; however, nearly 500 grams (the figure in the photo below includes the 40 grams tare) of material was wasted in the process (which is not a lot for having access to such a complex industrial manufacturing process on a desktop). After this attempt, I tried another approach using the 2D-to-3D app in Bambu Lab's MakerLab to create a miniature Goldrake figure. This app is also unofficially powered by Tripo 3D. It is less precise than the latest Tripo 3D version, but the advantage here is that the color models can be imported directly into BambuStudio as full color 3MF models and printed in color. This means you don't have to color them manually, but another challenge emerges: most color images consist of millions of color shades. The MakerLab software allows you to reduce the number of colors or even match each color to a filament, but when you reduce the full color count to 4 or 8, the system approximates the shades, resulting in an imprecise border between color sections. Almost as if it were painted manually. With some dedication, you can improve the coloring scheme, but the final result will always be somewhat imperfect and will require many filament changes. [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-2d3d-bambu-copia-640x363.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-2d3d-bambu-copia.jpg) First we created the 3D model from a 2D image in BambuStudio’s 2D to 3D app and exported with reduced colors [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-coloring-bambu-slicer-1-640x424.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-coloring-bambu-slicer-1-scaled.jpg) Then we fixed the color scheme in Bambu Studio and exported the printable 3MF file. [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-small-Creality-slicer-640x429.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-small-Creality-slicer-scaled.jpg) We then imported it into Creality Print [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/5C3556FC-DEBC-433C-87AB-7DC48A4C1FB1_1_105_c-640x480.jpeg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/5C3556FC-DEBC-433C-87AB-7DC48A4C1FB1_1_105_c.jpeg) The printing process lasted over 2 days [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-Small-Creality_IMG_2305-rotated-e1773929307482-640x479.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-Small-Creality_IMG_2305-rotated-e1773929307482.jpg) With over 1500 filament changes (executed flawlessly) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-Small-Creality_IMG_2304-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Goldrake-Small-Creality_IMG_2304.jpg) The result, again, look great from afar. In addition, this time we printed the miniature Goldrake using Creality's CMS system (combining two of them) on a Creality K2 Pro. We imported the BambuStudio file into the Creality Print slicer which was very smooth as both are based on the Orca slicer. The K2's double CMS system worked flawlessly through over 2 days of continuous printing and over 1500 filament changes. However, it was also less optimized than Bambu Lab's H2C and resulted in a huge amount of filament waste. The result still looked exceptional to me, and from a distance, but up close, it does look like an 8-year-old kid painted it. Which is still more than fine for a personal project. However, since it looked so great in photos, when my friend Chris saw it, he asked me for one of his favorite Go Nagai robot character: Jeeg (Kōtetsu Jiigu in Japanese). I created a 3D model from a 2D image of Jeeg using Tripo 3D and again tried to color it myself in the app, but it was too time-consuming. So, when Mimaki contacted me, I figured it would be a lot of fun to create 2D-to-3D color OBJs of anime robots, starting with my Tripo 3D creations. This idea then expanded to more of my favorite anime and comic book characters, such as Dylan Dog, the nightmare investigator from one of the most popular Italian comic book series, and Kenshiro, the Fist of the North Star, another one of my favorite Japanese manga/anime from the 1980s. Then I thought, "Wait, if I can create existing fictional models, I can also create models of some that don't exist yet." So my next creation focused on the main character from a new audiobook series I am listening to and is rapidly growing in popularity: Carl, the main character from the Dungeon Crawler Carl series. I used a 2D image from one of the book covers for inspiration, fed it into the Tripo 3D AI engine, and made some minor adjustments in Tripo Studio. ![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Tripo-Goldrake-color-3D-scaled.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Tripo-Geeg-3D-150x150.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Tripo-Geeg-3D-scaled.jpg) After Goldrake we created another one of Go Nagai’s anime robots, Jeeg [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Tripo-Kenshiro-3D-150x150.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Tripo-Kenshiro-3D-scaled.jpg) Then another favorite Manga/Anime from the past: Kenshiro, the Fist of the North Star [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Tripo-Dyland-Dog-3D-150x150.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Tripo-Dyland-Dog-3D-scaled.jpg) We then moved on to Italian comics with Dylan Dog, the nightmare investigator [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/Carl-150x150.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/Carl-scaled.jpg) And finally a new character from a popular GenZ book series: Dungeon Crawler Carl   But it didn't end here. I told my friends at White Label Studio of this opportunity and asked Gabriele Faoro, the lead designer, to create a model of a fashion accessory for me. This is one of their specialties, and they usually produce them using Stratasys' PolyJet technology. He immediately went to work, using AI prompts (I believe he started with Nano Banana) to create something truly different. His creation, "the Frog-berry," definitely pushes the limits of both his imagination and the Mimaki machine. To fully understand and visualize the machine's capabilities, I asked Akito to 3D print the models in different sizes, with the smallest just about 10 millimeters tall. ![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2212.jpg) ## Making fantasy real Most readers of VoxelMatters know exactly how material jetting and a Mimaki 3D printer work. But just in case you are not fully familiar with it, Mimaki's 3DUJ-553 and 3DUJ-2207 (used for this project) are full-color 3D printers based on UV-curable inkjet technology — a form of material jetting in which liquid photopolymer inks are deposited in precise droplets by piezoelectric print heads and then immediately cured by UV light, layer by layer, at a minimum layer thickness of 20 microns. The largest build volume is 508 × 508 × 305 mm with a maximum object weight of 70 kg, making it very fast at producing many small parts. The printer accepts all major 3D file formats, including STL, OBJ, VRML, PLY, and 3MF, managed through Mimaki's own 3D Link layout software. ![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_1.3DLink-layout.png) The machine uses eight on-demand piezoelectric heads printing in parallel, jetting six ink channels — cyan, magenta, yellow, black, white, and clear — alongside a dedicated support material that is printed simultaneously and removed after the build is complete. By blending CMYK inks during deposition, both the 3DUJ-553 and 3DUJ-2207 can reproduce over 10 million distinct colors within a single print, including translucent and opaque effects achieved through the white and clear channels. The result is a level of color fidelity and surface detail that standard filament or resin-based processes cannot match, making it particularly well suited to visual prototypes, architectural models, product mockups, and any application where appearance is as important as geometry. [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_2.3Dprinting-1-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_2.3Dprinting-1.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_3.3Dprinting-2-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_3.3Dprinting-2.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_5.3Dprinting-4-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_5.3Dprinting-4.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_4.3Dprinting-3-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_4.3Dprinting-3.jpg) What you see in these images is the printing process, with the machine depositing both the color material and the white soluble support material. The Mimaki systems build objects through a continuous cycle of ink deposition, surface leveling, and UV curing repeated across hundreds or thousands of individual layers, each as thin as 20 microns. Unlike other color 3D printing approaches, no color adjustment or post-processing painting is required: color is built into the print data from the start, and what the printer produces is the finished surface appearance. Once the job is sent to the machine, the eight piezoelectric print heads traverse the build area, simultaneously firing droplets of UV-curable ink—cyan, magenta, yellow, black, white, and clear—as well as water-soluble support material wherever the geometry requires it. Color is produced by blending the CMYK channels during deposition, in the same way an inkjet document printer mixes colors, but in three dimensions and with the precision to produce millions of possible color combinations per voxel. ![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_5.3Dprinting-4.jpg) After each ink firing pass, a roller moves across the surface to flatten and homogenize the deposited material, ensuring a consistent layer thickness before curing. A UV LED lamp then passes over the layer, instantly photopolymerizing the ink and locking it into its final state. LED curing is significant here: unlike traditional UV lamp systems, LEDs generate very little heat — protecting fine details and delicate geometries from thermal distortion — and require no warm-up time, thereby improving throughput and reducing energy consumption over the machine's lifetime. ![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_7.Post-process-1-rotated.jpg)Once a layer is fully cured, the build platform descends by one layer and the cycle continues as in just about any 3D printing process out there. Two systems work continuously in the background to ensure print quality is maintained throughout what can be a very long build. An ink circulation system keeps pigment in constant motion through the print heads, preventing sedimentation and removing air bubbles that could cause nozzle blockages — a particular challenge in multi-day prints. Separately, the Nozzle Check Unit (NCU) uses an infrared sensor to automatically monitor each nozzle; if a clog is detected, the system triggers a cleaning cycle without operator intervention. An internal camera allows the entire process to be monitored remotely. When printing is complete, the object is submerged in water to dissolve and remove the support material — a clean process that requires no mechanical scraping or solvent exposure. The result is a fully colored, detailed object ready for use. Optional post-processing steps, such as varnishing, can be applied to improve surface finish or durability, but the color itself requires no additional treatment. ## So how did it turn out? The end result is simply stunning. Mimaki technology is not new, nor is multicolor material jetting, which was introduced by Stratasys over 15 years ago. But designing multi-color 3D models at the voxel level used to be something limited to a select few very capable designers. Today, there are still challenges to address, but these capabilities are available to just about anyone. Today's rapidly evolving AI capabilities are enabling a large share of the public to create color 3D models, and we are just starting to scratch the surface of the possibilities. Multi-color desktop 3D printers - now available for below $1,000 (l[ike the Elegoo Centauri Carbon 2 Combo](https://www.voxelmatters.com/elegoo-centauri-carbon-2-combo-review-ultra-accessible-multicolor-printing/)) allow anyone to print in multicolor, with some limitations, but at ridiculously low costs. Bambu Lab is the unrivaled leader, thanks in large part to its software and the advanced H2C multi-extruder system but systems such as those offered by Creality and several others on the way are also quite proficient.  Once you become familiar with creating and 3D printing multicolored objects, it won't be long before you want access to the best capabilities out there. While it's unlikely that you'll purchase a Mimaki 3DUJ-553, or even the more accessible Mimaki 3DUJ-2207, there will soon be more service providers that have the systems in-house and can print them for you. Until then, check out these photos (and they look even better up close and in person): [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2205-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2205.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2173-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2173.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/10828F09-B7D3-454E-B378-605A88DA5B26_1_105_c-640x480.jpeg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/10828F09-B7D3-454E-B378-605A88DA5B26_1_105_c.jpeg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/43B5AFA2-F4F4-4F5D-A37B-0C99A330767E_1_105_c-640x480.jpeg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/43B5AFA2-F4F4-4F5D-A37B-0C99A330767E_1_105_c.jpeg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/51083693-D130-46C2-9541-3E81F5623A7D_1_105_c-640x480.jpeg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/51083693-D130-46C2-9541-3E81F5623A7D_1_105_c.jpeg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/71E31328-75F3-4663-8CF4-423127C7999C_1_105_c-640x480.jpeg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/71E31328-75F3-4663-8CF4-423127C7999C_1_105_c.jpeg) #### Kenshiro (ケンシロウ?, Kenshirō), the Fist of the North Star. Credits: Tetsuo Hara, Coamix [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2190-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2190.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2210-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2210.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2220-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2220.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2221-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2221.jpg) #### Jeeg (鋼鉄ジーグ, Kōtetsu Jīgu), Steel Jeeg: Credits: Go Nagai and Tatsuya Yasuda, Dynamic Productions [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2218-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2218.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2209-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2209.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2206-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2206.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2219-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2219.jpg) #### Goldrake (ＵＦＯロボグレンダイザー?, UFO Robo Gurendaizā), UFO Robot Goldrake, Credits: Go Nagai, Dynamic Productions [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2212-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2212.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2214-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2214.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2215-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2215.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2191-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2191.jpg) #### Dungeon Crawler Carl, Credits: Matt Dinniman [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2231-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2231.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2230-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2230.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2199-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2199.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2211-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2211.jpg) #### Frog-berry, credits Gabriele Faoro, White Label [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/E8B13D48-326E-437D-BE78-8D2592420E3E_1_105_c-640x480.jpeg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/E8B13D48-326E-437D-BE78-8D2592420E3E_1_105_c.jpeg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/0F51ABEE-79D4-4897-B523-662C254F6CF3_1_105_c-640x480.jpeg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/0F51ABEE-79D4-4897-B523-662C254F6CF3_1_105_c.jpeg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2202-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2202.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2201-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2201.jpg) #### Dylan Dog, credits Tiziano Sclavi, Claudio Villa and Angelo Stano, Bonelli Editore [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2226-2-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2226-2-scaled.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2225-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2225.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2205-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2205.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2186-640x480.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2186.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2185-480x640.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2185.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2195-480x640.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2195-rotated.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2194-480x640.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2194-rotated.jpg) [![](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2171-480x640.jpg)](https://www.voxelmatters.com/wp-content/uploads/2026/03/MIMAKI_AI_3D_IMG_2171-rotated.jpg)